Valonz
One house. Five colour stars.
The brief.
The Colourist set out to redefine what salon education can be — an intimate, cinematic experience that captures the energy, the dialogue and the artistry of a brand's talent, rather than another room with a mannequin head in it. Renya wanted each of her colourists seen in their own right, so the campaign unfolds inside Valonz itself: five rooms, five stars, each one a specialty. Viewers are invited to step inside the house and watch artistry at its highest form, and the series deliberately blurs the line between education and art.
A cast before a shoot. Haleema the Global Colourist, Nathen the Editorialist, Zara the Master Colourist, Trae the Social Media Colourist and Shalom the Fashion Colourist — each given a title, a narrative, a visual world, a room in the salon and a weapon of choice. Every character follows the same beat: set the scene, find the personal habit, cut to the weapon of choice, then reveal. Five times over, building to the group shot.
Sixteen hours, one location, five rooms. Shot at 50 and 85mm with 120fps slow motion for hair movement, lit hyper-cinematic and high-contrast against A24 and editorial references, and framed simultaneously for 9:16, 1:1 and 16:9 so every channel was covered before the crew packed down.
AI did the work a second shoot day would otherwise have cost. The score was generated rather than licensed, so the music was written to the edit instead of the edit being cut to a stock track. And because five rooms shot hours apart never cut together as one continuous space, AI interpolation was used to bridge the scenes — the camera appears to move through a single house, which is the whole premise of the campaign. The tool paid for the idea rather than the idea bending to the budget.
Behind the film sits the machine. A trigger word on a reel fires a ManyChat capture and an automated DM with a code; the address lands in a five-part email sequence — waitlist, launch hype, early bird, second early bird, tickets purchased — with a post-purchase flow running thank-you, hype, day-before details and a post-event digital offer. The site carries the landing page, character profiles, ticketing and a personality quiz that tells you which colourist you are. Every channel serves the same narrative: different format, same story, so a reel, an email and the site all feel like one world.
The trailer drew 90+ comments and 18+ waitlist signups inside the hype phase, with verified industry accounts requesting access. Over 200 warm B2B contacts moved into the nurture sequence, and the campaign went into its sell phase with 90+ content pieces mapped across seven weeks — enough for five posts a week without repeating itself. The site went live with the quiz, run sheet and ticketing, and the weekly review loop kept the plan moving: what's not working, what's untapped, what changes our approach.
The cast. 6 cards · 3 ratios each
Five colourists, five specialties, five rooms. Each one got a title, a narrative and a weapon of choice before a single frame was shot — then a hero card cut in 1:1, 4:5 and 16:9 so it ran everywhere.
The details.
The cutaways that carry the tension between scenes — shot the same day, on the same lights.
The films. the film
The campaign film. Five rooms shot hours apart, scored with a generated track and stitched with AI interpolation so the camera reads as moving through one continuous house.
The colourist profiles. 5 sets · 24 slides
A deep dive per colourist — hero, the work, what you'll learn, then the call to action. Every slide of every set, as posted.
Haleema The Global Colourist 5 slides
Nathen The Editorialist 4 slides
Zara The Master Colourist 5 slides
Trae The Social Media Colourist 5 slides
Shalom The Fashion Colourist 5 slides
The social carousels. 6 campaigns
Six separate education campaigns off the same shoot — five teaching carousels that each stand alone without the class being mentioned, plus the A, B or C guessing game where the reveal is the real colour work.
The emails. 5 flows · full length
Five flows, not five sends — waitlist, early bird, second call, post-purchase, then the ticket claim that fires the moment someone buys. Shown at true length, so the ragged bottom edge is the point: some sends are a card, some are a page. Open any one to read it.
The automation. comment → contact → list
The part nobody sees. A comment carrying the trigger word becomes a contact record inside about a second — ManyChat catches it, replies with the code, and pushes the address into Mailchimp. That record is the real asset: it outlives the campaign as a remarketing list, so the next launch starts warm instead of starting again.
The website. valonzeducation.au
A campaign site, not a landing page — the same type, the same colour, the same five characters, right through to the run sheet and the quiz. Recorded end to end off the live site.





